38 years ago on 15 December 1977 Mark Hamill visited Imperial College to promote the forthcoming release of a new film. That film was Star Wars. We were lucky to get him to visit the TV Studio (then in Electrical Engineering Building) as part of the publicity rounds to promote the film. I suspect we’d never get a look-in these days, but back then no one had heard of the film and they needed every drop of publicity. Coming to the studio for the STOIC interview was closely timed because we’d been informed that he was next going to the BBC TV Centre for a live appearance on Blue Peter (the Children’s TV Show). The photo on the left was taken in the studio at the time of the recording. He was talking to James Sinclair who also happened to be the STOIC chairman at the time.
The day before the Mark Hamill recording we had also managed to get Gary Kurtz who was the producer for the first film and whose name seems to have almost disappeared when the film is mentioned these days. Sadly this interview is one of those programmes now frozen in time on the old Ampex A format one inch videotape which sadly we cannot now play without a machine and those are now rare. We were still a few years away from moving into colour so the Mark Hamill interview is in black and white. For copyright the film clips are removed.
Because of the “Imperial Storm Troopers” and the fact that Mark Hamill was coming to Imperial College we bought him a T-Shirt. He proudly and immediately put on the Imperial College T-shirt and said he would wear it on Blue Peter, which he did a few hours later. He signed my autograph book “Galactically Yours, Mark Hamill”. Here then is the Imperial College connection to Star Wars from December 1977.
We made use of the initial studio recording right away, but it was not ‘edited’ to neatly included the films clips until a later date. When you hear the reference by James to ‘earlier this year’ he’s referring to the academic year, which starts in October.
In the late 1960’s and running through until 1979, the ILEA (Inner London Education Authority) ran and operated it’s own unique analogue cable television network. By the time of its closure it had linked together all of its 1,400 schools & colleges within the London area and also universities, including Imperial. It was Europe’s largest closed circuit television network. The system was installed and operated by the GPO Television Service, but by the time of privatisation and renaming as BT, the network was doomed, with closure looming. We had connection to the cable network in the early 1970’s when the University of London created and operated its own Audio Visual Centre. Programmes made by the ULAVC were recorded in their own TV studio, based at 11 Bedford Square in central London. Transmissions were all made from videotape by the ILEA TV Studio staff at the Battersea main hub. In the case of programmes made by the ULAVC a separate Channel 7 was operated for their exclusive use. ILEA’s own programmes for schools were on channels 2, 3 and 4. The ILEA studios and recordings were all to broadcast standard using 2 inch Quadraplex videotape whilst the ULAVC ran on IVC 1 inch videotape. As can be appreciated, all of the programming across the channels was therefore carried out from pre-recorded videotape. But, the network could be run live from any of the three studios at the Battersea main hub. Around 1976 I had the brainwave idea to suggest to the ULAVC that we make and provide some programmes from the Imperial studio. The only materials that might be of interest to other universities were perhaps some of the STOIC output which was gaining popularity with the introduction of celebrity interviews with those like film director/actor Mel Brookes and housewife-superstar Dame Edna Everage, otherwise known as actor Barry Humphries, seen in the photo on the left with Mark Caldwell in the Imperial TV studio. Several videotaped programmes were made with the specific idea of being shown on Channel 7 (Terry-Thomas was one), but I then went a step further and suggested we do something live! After I’d consulted with the ULAVC and then the ILEA Battersea operations staff we got a transmission slot and studio access. On 17 February 1977 a pilot programme called London Luncbreak went live on the air from the ILEA Battersea TV studios. The photo on the right shows main presenter James Sinclair during the live transmission. Because of a connection I had with the then BBC “film night” TV series, I managed to get Barry Norman to the studio to take part in the live transmission. Three further programmes were produced in the ‘London Lunchbreak’ series, but our enthusiasm was dashed when we heard the very next month on 31st March 1977 that the network was to close in early 1979. There was little point in continuing when the end was close. We had left it too late to get involved with the network, perhaps a couple of years earlier would have been better and given us a few more transmissions? Over on the left, in the gloom, you can see me directing one of the live programmes at the ILEA Battersea studios. The videos below are a recording of the pilot London Lunchbreak which includes a sound fault during a film clip! Remember that this programme was totally live from the ILEA studios. Also, the very last programme made and transmitted over the network by the ILEA, containing a rather large number of old programme titles (jump to the end when you get to that part). The ULAVC never made a farewell programme but continued its videotape operation, but with no cable output. ILEA continued in a similar way until, like the ULAVC, it was totally closed. Both the ULAVC and ILEA had converted into colour production by 1980, however, the now old GPO VHF cable network was only just capable of transmitting high quality colour (it was originally designed for analogue black and white in 1967). So perhaps it would have been difficult to continue with a poor technical service? However, I managed to capture a rare c1977 test transmission from ILEA in colour. It was made on Channel 2 and I was told that the ULAVC loaned ILEA a colour camera to make the live test, which seemed to work as far as I can see, that’s the last video down below.
Oh, and then there was Westminster Cable TV and another opportunity for live TV, but this time from Imperial College’s own TV Studio; but that’s yet another story, so far untold…
I was recently ploughing my way through yet more archive videotapes and discovered another piece of Imperial College history. On the 11th November 1976 we recorded an interview with the then Rector of Imperial, Sir Brian Flowers. Later he was to become Lord Flowers of Queen’s Gate.
During the interview James Sinclair, who was then the STOIC Chairman, discussed many topics, including the current building extension application for Linstead Hall, one of the accommodation buildings around Prince’s Gardens (east side) which was rejected by Westminster City Council. The extension finally happened in 1980, both the original and extension buildings have subsequently been demolished and replaced by Eastside. Brian Flowers was the most cooperative of our rectors when it came to being interviewed, either in the studio or elsewhere. I think he felt that such collaboration with the studio and other ‘media’ on the campus would pay itself back when discussions took place on student matters or affairs. He was certainly one of the most popular rectors.
When the interview was recorded we were still operating in black and white, colour was three years away. However, the ‘new’ studio had only opened during the summer of 1976 and was once again to be modified when colour arrived in 1979. I reckon this was the first rector interview in the new studio, which for those that remember, was on level 2 of the main walkway. The photo on the right was taken in 2006.
Recently digitised from the video archive collection is the very first news-magazine programme made by the student TV service, STOIC. More than 50 years ago on the 17th February 1970 an experimental programme was made to ascertain the feasibility of producing such a news programme on a weekly (or at least a regular) basis. At this time, STOIC used the TV studio facilities of the Electrical Engineering Department, as seen over in the right hand photo and with me operating a camera.
The original plan was to produce a light hearted and simple programme, reflecting what was currently happening in and around college. However, at 10am on the morning of the recording on Tuesday 17th February, the Pro-Rector Lord Jackson (1904-1970), who was also Professor of Electrical Engineering, died. Plans were immediately changed and his colleague, the Head of the Electrical Engineering Department Prof John Brown (seen on the left in the video) appeared to pay tribute. This itself is a unique recording, having been made within hours of Jackson’s death.
Although this was only a trial programme, some effort had been put into trying to make it look as professional as possible. A filmed report (on 8mm film) was shot at a Touchstone weekend being held at Silwood Park. Piers Corbyn, the controversial students union president (1969-1970), appeared in an interview. Another filmed report was on the first major event to be held in the then newly opened College Block (now renamed Sherfield Building). The programme was presented and linked together by Vivienne Taylor who went on to present a local TV programme on London’s Thames Television.
The programme was shown the following day (18th February) in the then new Junior Common Room in College Block. A copy of the original flyer can be seen below. It’s amazing the recording has survived all these years. The original one-inch Ampex videotape still exists, but only because I had given STOIC the videotape to record on. I did so with the very intention of it being kept for posterity and all these years later, I’m glad I did! If I hadn’t, then like many BBC videotapes, it would have been erased and used again for another programme.
I have recently rediscovered the first interview shot with a Rector in colour. It was recorded in December 1980 in the Sherfield Building office of Lord Flowers (1924-2010) who was Rector from 1973 to 1985.
Lady and Lord Flowers in 2000
The student TV (STOIC) had expressed an interest in interviewing him and I agreed to collaborate in the recording to enable it to be shot in colour. I thought at the time, that this would be good from an archive point-of-view. And 34 years later, my idea has just paid off! There are several other blog entries on Lord and Lady Flowers, but this one had escaped me until now. The interviewer is Mike Prosser, with an introduction made in the college’s former TV Studio. The interview was made as a ‘special’, within the normal weekly programme called News-Break. That programme was transmitted to all of the college halls across campus, as well as the union building. As in previous early colour videos featured within this blog, it will not be up to even the standards of a modern domestic camcorder, but at least we do have it. The previous colour interview with Lord Flowers was featured in my 2010 entry. That previous video was from 1984 and I had only just rediscovered it, so this 1980 video is adding to our collection. The last time I saw Lord Flowers was during a short visit to his house and we were sitting around his kitchen table having lunch with Lady Flowers.
30 years ago, in 1993, an attempt was made at the production of an (ideally) ongoing video prospectus, one for undergraduates and one for postgraduates.
Unusually for a student recruitment piece, these were conceived by the then Rector’s wife, Clare Ash and produced by her daughter Jenny (who was working in TV production) – effectively making two videos in parallel using a great number of the same shoots in both. Without more involvement from the departments and central services, the videos perhaps didn’t capture the imagination of academics or administrators.
Probably ahead of its time, the project didn’t have the required support from the offices handling recruitment and PR and it didn’t continue – but they do capture the spirit and feel of the College some thirty years ago.
Undergraduate Video:
If you look at this, see the graphics and say “What?”, then you’ll know my thoughts, both then, and even now, some thirty years on! There are great shots of the old language lab and Richard Dickins with the college orchestra, both of these showing the non science side of Imperial. Once more we have some (now) important archive shots of Prince’s Gardens and the old halls, especially Linstead Hall showing the famous evening meal (photo on right). This was the only time this was recorded and is special for that reason. We also featured IC Radio, STOIC and Felix in production for that weeks edition. And finally we have the first ever video shots of a Commemoration Day at the Royal Albert Hall.
Postgraduate Video:
In general this will look more or less the same as the undergraduate version, but includes some now unique shots of Lord George Porter working in his lab in the basement of the Beit Building (photo on left). We also ventured out to Silwood Park to show some research work going on there. At this time the Science Communication course had started and we almost featured ourselves by showing two of the students working at our editing suite (even though this was of course staged). Finally a great and short-lived hall is featured. Does anyone remember the Postgraduate only Montpelier Hall in Montpelier Street, almost within sight of Harrods? Well, that’s in here too towards the end of the video.
Its such a shame that neither of these videos were appreciated within the college because a massive amount of time and effort went into making them both. We used about 12 or more one-hour video cassettes for the ‘rushes’ and because they contain some very unique material such as George Porter I still have them today in our video archive. See what you think and let me know if you are seen appearing in either of them. Some years after we had made them, several boxes of unused and unrequired VHS tape copies of both of the videos were returned to me from Registry, they were all thrown in the bin!
The oldest videotape recording of one of our rectors of Imperial College is that of Lord Penney (1909-1991). Rector of the college from 1967 to 1973 he took the post over from Sir Owen Saunders who was acting rector from 1966 to 1967 after the death of Sir Patrick Linstead in 1966. Recorded in 1971 for showing to students via the fledgling Student Television of Imperial College (STOIC). I can’t remember whether or not this was part of one of the trial news programmes called IC Newsreel, or perhaps designed as as stand-alone programme, I think maybe the latter is more likely.
Our studio, if you could have called it that, was rather basic and sparse. As you’ll see in the video we had no background of any type at that time. The rare colour photo shows a slight improvement in 1974 when we managed to get some grey curtains! As this was well before the advent of the ‘tie-clip’ microphone, we used what were called neck-mics. A microphone on a thin cord that went around the neck and were very common at that time for PA system use. They did however provided much better sound than trying to use mics on stands or similar.
A former student of Imperial College, Lord Penney initially worked on the Manhattan Project during WW2 and was a flight observer of the dropping of the bomb on Nagasaki. Penney was asked in 1947 to head the team that ultimately produced Britain’s first nuclear test and in 1957 this was successfully carried out off of the Australian coast. He touches very briefly upon this during the interview, even though he was reluctant to discuss it in any great detail (he doesn’t actually mention the British nuclear test). You can watch the TV programme Equinox which includes an interview with Lady Penney. The interviewer for our video was Dave Willis, who I know very little about, other than he was a computer science postgrad student, but I don’t recall the years that he was at Imperial.
This is a newly restored version of the video that was shot originally on Ampex one-inch tape format. I’ve managed to clean, and brighten up, the image to a certain degree, but it is 42 years old. The original master tape now resides in the Imperial College Archives. On the link to the film of Operation Hurricane you’ll see Penney (on board a boat) turning around and using Binoculars to see the resulting explosion.
If you are new to the blog or perhaps arrived via the Alumni web page, you might have missed some previous gems. If you go back further to earlier entries you will find some memories of Imperial College captured on videotape. One such recording is the only interview we have with Victor Mooney (Died on December 27th 2012 aged 89), college catering manager from 1953 to 1985.
Southside Royal opening taking place in the Upper Refectory, Southside
He was a major figure in college life, especially with the student’s phrase “Going for a Mooney”, which meant going to the refectory for a meal of some kind. Do you remember the Upper and Lower Refectories in Southside? How about WAITRESS service in part of the Refectory in Sherfield? And also a time when the JCR eatery was still called the “Buttery”.
I have now managed to clean up the quality of the recording which was made in November 1979, just prior to us going into full colour. Here’s Victor Mooney, in the College TV Studio, talking to STOIC regular presenter Dave Ghani.
If you have any film or photos of the college eating places in use during the years before say 1970, then please get in touch. Please also add comments or memories of eating at Imperial.
The first programme we made in colour was a guide to the Life Science Library. That was 33 years ago in August 1979 and colour was so new that we didn’t even have a colour logo caption at the start, in fact it’s our original black and white logo. Interestingly, the video is a great snapshot of what libraries looked like and how they operated at that time. Card indexes were still the norm with microfiche readers being a new addition. There is also mention of having a literature ‘computer search’ carried out at a cost of around £5, a cost which was probably considered high at that time and would have been carried out by a librarian for you. One of the great advantages of us moving into colour was the fact that we were able to edit. Until then it was possible, but difficult, and also in black and white. The video required a lot of different shots, like close-ups of index cards, so editing was an essential part of the production, in fact, without decent editing facilities this programme could not have been made.
Lots of lighting was needed for the camera
Because we were going to cause some disruption in the library, where possible, we shot in the evening, or at least after 5pm. As you can see from the photo on the left, we also needed light..lots of it too. Our early colour camera was happy with external situations, but inside it required rather a lot of light to get good images. The library, at that time, was rather lower in light levels compared to today and there was no way we could cope without adding some extra lighting. Our biggest problem was finding mains sockets anywhere near the rows of book shelves. You tend not to need mains sockets when looking for books! Like most of our videos, we sometimes needed (and still do need) ‘rent a crowd’, so see if you can spot me appearing twice in the video. Also note a major change to the feel of the South Ken campus from when this was shot in 1979. See how empty it is soon after 6pm when the external footage was shot.
The video style is a bit 1970’s, mainly because that’s when it was made. I can’t recall under what circumstances the video was due to be seen, but I think it was designed to be viewed in the room that had been designated for watching videos. This was one of the small rooms called a Carrel around the edge of the library in which a monitor and video recorder had been installed. You’ll hear reference to these Carrels in the video. Listen out too for the mention of photocopies, there were only two in the whole library at that time.
Mark Caldwell when at DW in Germany
The presenter of the video was Mark Caldwell, a former STOIC chairman from the mid 1970’s. Mark is now living in Germany where he used to work for the world radio division of Deutsche Welle. From time to time I can could hear him presenting items live over the air and I thought how far we had come since his time with STOIC at Imperial, only a few years before.
I’ve also noticed that, as this was the first video we made in colour, we still used the original TV Studio caption. This was the caption used up until this point, I hadn’t come up with a colour version at this time!
Since the start of this archive blog people have asked me various things about the videotape collection. Questions range from: when did the collection start; how many tapes are there; and what formats of tape do you have. So, I thought that just for once I’d write an entry without an actual video in it. Some questions I’ve been asked are answered in the “about this video archive blog’, but I’ll go through them again anyway.
Some of the 700+ tapes in the video archive
The earliest videotape (one inch ‘A’ format) dates from about June 1970 and is on our original videotape format made by the American company Ampex. This company invented the world’s first commercial videotape format back in the mid 1950’s (2 inch Quadruplex). So, our oldest tape was made only 15 years after the invention of videorecording itself. Sadly, playing these tapes back is slowly becoming a problem. Equipment is no longer accessible on campus to run some of the formats we have, but it is possible to use commercial facilities (at a cost). Recently, the earliest collection from the student TV service (STOIC) came under our access.
Ampex ‘A’ format tapes have gone sticky
I’d forgotten just how many of the original one inch videotapes they still had. There are gems yet to be seen, dating from the early 1970’s through to about 1980, in fact their collection now has more one inch tapes than we do (many of ours are long gone). Anything of importance was transferred to another (the latest at the time) videotape format, but some items (mainly STOIC’s) remain, frozen in time, awaiting that day of playback once more when finances allows us to transfer them into a new digital format.
Playing these early tapes back has recently become a problem anyway. There is an effect called Sticky Shed Syndrome which means that the binder, which sticks the oxide onto the plastic tape, is breaking down. What appears to be happening is that the binder is taking in moisture and going sticky. It’s SO sticky in fact that when tapes are run, the oxide and binder come off the plastic tape and stick to all parts of the videorecorder that the tapes run past. After only a few moments of playback there will be a very loud screeching noise followed by the video head clogging and the machine grinding to a halt. If you put your finger onto the guides inside the machine it will be sticky and covered in tape oxide and a sticky goo.
Oxide is shedding from magnetic tapes
In the recent blog entry called “seen and gone” I found some old audio recordings of the soundtracks of erased videotapes. These audio tapes also suffered the same problem of shedding oxide. When I started to play them the oxide came off the plastic, as you can seen in the photo. My fingers can be seen through the plastic tape. The one good thing was that whilst running the tapes through the recorder I was also copying it onto computer to then go onto disc.
The U-matic videotape format suffers too
These playback problems have happened because some tape manufacturers got various chemical mixing formulas wrong. It was only in the mid 90’s or so that the problem was fully appreciated. There is only one way around the problems of playback. The tapes, audio and video, have to be baked. That is, the tapes have to be heat treated at something like ±50 oC for a few hours or more. This draws the moisture out, allowing immediate playback to get the material onto another modern format. The temperature used is critical, too high and the ‘Curie point’ can be reached and the tapes automatically erased, or at least the magnetic properties will be lost and thus the recording data will be gone for ever. So there are problems and dangers anyway with this method of recovery!
The various tape formats we have to work with sitting on the edit suite desk
We are therefore faced with a slight problem of playback, even with tapes still in use today like the U-matic system. Most of the tapes seen on the shelves in the top photo are of this format and many are causing playback problems. I’ll be experimenting with heat treatment soon to sample a few tapes for transfer. In most cases I’ll put these onto DVD, assuming they’ll play back okay after treatment. Today, we have many tapes formats as can be seen in this last photo. We’ve gone through: One inch open spool both low and high band; U-matic low and high band; Betacam and now DVCam. Also we’ve encountered half inch open spool, Philips cassette, VHS and so on. With some 700 tapes now being held in the collection, the question is how long will we be able to play back any of the many formats of videotapes that we have?
38 years ago on 15 December 1977 Mark Hamill visited Imperial College to promote the forthcoming release of a new film. That film was Star Wars. We were lucky to get him to visit the TV Studio (then in Electrical Engineering Building) as part of the publicity rounds to promote the film. I suspect we’d never get a look-in these days, but back then no one had heard of the film and they needed every drop of publicity. Coming to the studio for the STOIC interview was closely timed because we’d been informed that he was next going to the BBC TV Centre for a live appearance on Blue Peter (the Children’s TV Show). The photo on the left was taken in the studio at the time of the recording. He was talking to James Sinclair who also happened to be the STOIC chairman at the time.
Sadly this interview is one of those programmes now frozen in time on the old Ampex A format one inch videotape which sadly we cannot now play without a machine and those are now rare. We were still a few years away from moving into colour so the Mark Hamill interview is in black and white. For copyright the film clips are removed.
