Today I have what was another mystery film from the STOIC archives. In digitising the 8mm films that were used in their earlier programmes I found two reels of Super8 colour film marked London (to) Brighton. No date or further details were on the reels. It was a mystery as to why this was shot on film because clues lead me to believe it was perhaps around 1978 or so. By then, STOIC had their own Sony portable videorecorder for location work. I looked for clues in the actual footage but couldn’t spot anything that might give me a date. Until…..in one very small segment you will see Bo (Boanerges) has broken down outside of a cinema. This was in Streatham in South London. I could just make out, by zooming into one frame, a film title on the outside hoarding on the cinema. I looked it up on Google and it was dated as 1977. So, this was clearly the London to Brighton run on Sunday 6 November 1977.
I have no clues or idea as to why this was shot on 8mm colour film. The two reels are unedited and even look as if they were never used. If anything was indeed used it would have been in the weekly Lunchbreak programme. Was Rag week the same weekend as this event and therefore the videorecorder was not available because it was already in use?
We may never know the answer, but here anyway is the digital transfer of Bo, going from London to Brighton in 1977. Oh, and that’s Sir Hugh Ford sitting on the back seat in the middle.
In June 1980 Professor J.C Anderson (1922-2001) from the Department of Electrical Engineering, came into the TV Studio to talk about UROP, the Undergraduate Research Opportunities Programme. He was chatting to STOIC’s Paul Johnson in what was one of the first academic interviews recorded in colour.
Professor Anderson ran UROP from the start, 1980 in fact, when this interview was recorded. He handed the scheme over to a colleague in 1987. The scheme, modelled on something by MIT, the Massachusetts Institute of Technology, was envisaged as a way to offer students an insight into research. In addition, staff were given the opportunity to gain eager, intelligent research assistants, keen to try out new ideas and work on speculative experiments. Some students admitted to choosing to study at Imperial specifically because of the opportunity to participate in UROP.
After 40 years I gather that UROP is still running at Imperial today.
Recently I’ve been digitising, in HD, my personal collection of 8mm home movies. Now that those are all transferred, I’ve moved onto a large collection of 8mm films from STOIC’s archive. Why did STOIC have 8mm films? Well, back in the early 1970’s there was no easy way to record anything outside of the TV Studio, so film was the only option. For the early news programme TOPIC, 8mm was shot and developed by STOIC. They bought all of the kit that was needed to process and ‘reverse’ the film from negative to positive. This film was then edited and used within the next edition of their news programme. In some cases, it was easier for them to use normal film to shoot what they needed, and to then let Kodak process the film. And in these cases the film was colour, even though it was only ever seen in black and white.
I made an amazing discovery too. There is a spool of ‘home processed’ film for the Easter edition of TOPIC from 23 March 1972. That seemed familiar to me and so I dug deep into my collection of audio tapes and discovered I had the sound track to the actual programme. I was then able to sync-up the studio commentary from the (now erased) programme soundtrack, to recreate what would have been seen some 50 years ago. But this was not without difficulties that I thought I would never solve.
Once STOIC had processed the film it ended up as a 16mm spool that needed to be split down the middle to produce 2x8mm film. A spool of 25 feet of 16mm ended up as 50 feet of 2x8mm. However, splitting the film needed to be done accurately. My 8mm digitiser is very fussy about accuracy of film size and the STOIC film certainly wasn’t accurate. I discovered that at certain points, the film stopped and seemed to jam in the gate mechanism. Upon closer inspection with a magnifying glass I spotted that the film was going wide to less wide, then back to normal and so on. When it got extra wide it jammed and then released again. The end result is seen above, with the film frame going up and down with the changing of the film width. Look at the extreme right hand side to see the film edge getting wider and then narrower again.
And, when a film splice happened, it could easily go from normal width to extra wide width, as indicated by the arrow in this photo. I had to redo most of the original splices in the film and cheat to make the transition slightly less bad. However, the end result still had the frame moving up and down at different times. But, I discovered a solution. During digital editing I tried ‘tracking’ and stabilisation. Tracking allows a specific point of reference to be used to keep an image where you want it. So, I under-scanned the film to see the sprocket holes and for them to be used as my key reference point. A few minutes later and I had a workable end result. I synced my soundtrack, as best I could, cleaned up the image and we now have for the first time in 50 years the film inserts for TOPIC as they were seen in the programme.
Here then are the two film inserts used in the programme after I’ve managed to digitally stabilise and correct them. The first is a report by Richard Woodhead on the March 1972 Student Union Elections. Note that the commentary was made live in the studio as the film ran, so does not sync perfectly to what is being seen. Also, there are big gaps where nothing is said and this was intentional, other than some taped background noise. This programme was only ever seen ONCE, on 23 March 1972.
The second and final film is a comedy sequence apparently shot in the Union Building Heating Tunnels. You’ll notice that there is a slight delay and confusion in the film sound starting, but can eventually be heard. This background music was played in live, from audio tape, and clearly there was an initial technical hitch which delayed the start.
And, things just keep being found. With another reel of tape I’ve discovered a piece of paper that listed the original background sound and music for both of these films. Indeed that was correct, so I now also have the tape that was run live at the time behind the studio commentary. And there’s more to come…
Seen for the first time in HD, it’s Morphy Day c1972. Digitised from 8mm film you’ll see Morphy Day, as you may never have seen it before. Well, you might have seen it, but only if you had viewed the actual 8mm colour film, but that’s unlikely.
Morphy Day was filmed on Super8 for inclusion in STOIC’s news programme called TOPIC. Sadly the spool is undated, and I’m not surprised. They were extremely bad at archiving; unless of course I moaned at them. This spool, along with some others, seems to have slipped through the net. So, I’m second-guessing at a rough date of around Autumn term of 1972.
Recently, I bought, for myself, an 8mm film scanner. This is not a projector, but rather a device to capture each film frame, one by one. A standard 50 foot reel of 8mm film takes about 30 mins to capture in HD. As I have many reels of my own film in both Standard 8 and Super8 formats, it was a worthwhile purchase. Having completed all of my personal films, I’m moving on to the archive collection.
The film scanner has a built in screen to show the frames being scanned, but I connect it to an external monitor to see better whether I have the exposure and other adjustments set correctly. Then it’s just a case of sitting back and waiting for the scan to end. I make some adjustments to exposure and colour in post-production after the scan is complete. The end result is vastly improved over the previous version that I put up in 2016 and of course it’s now in HD.
In December 1981 former RAF pilot Sir Douglas Bader visited Imperial College Bookshop to promote and sign copies of his new autobiography. He took part in the Battle of Britain, was imprisoned at Colditz Castle and his life was chronicled in the film Reach for the Sky. Surrounded by copies of his books, Lawerence Windley managed to get a few words with him.
Within a year of this video, in September 1982, he had died.
Who would have thought that this first appearance on TV at Imperial College would lead to a career on the BBC? Yes, it’s Pallab Ghosh now Science Correspondent for BBC News. Pallab studied Physics at Imperial which was probably a good all-rounder for what came next.
But before his BBC career he was the editor of the student newspaper Felix. I do have the videotape of his Felix Editor Hustings Speech from 3 March 1983 (we’ll see that soon). Prior to that though, he was the chairman of the Imperial College HG Wells Society. Back in 1981, he was speaking to STOIC’s Martin Cowen about the revival of the society and what was planned in the coming months, including a potential Loch Ness Monster expedition!
The photo above shows Pallab during a visit to Imperial College in 2014.
With the Imperial College team being the current winners of the 2024 University Challenge I thought it would be interesting to go back to both 1981 and 1984 to see how STOIC helped to select the teams for those years.
In 1981 it was achieved in the same way as the TV programme with the participants sitting as they do in the actual programme. This must have proved a challenge itself because in 1984 it was done in the style of Mastermind, but with a green chair rather than black. The first programme was shot in black and white, as the TV Studio had not by then gone into full colour. The photo on the right was during the 1981 recording. Mike Hackett was the presenter in 1981 and Richard Monkhouse in 1984.
This video has me very confused! I’m having trouble finding references or information about the IC Big Band in the videotape index other than just this single one. I do know however that this one item was from 21st June 1978 and featured on STOIC’s Lunch Break weekly programme. I can’t even get any clues to the location used. I do however recognise one person in the video as having been involved with STOIC, so I assume that pins it down to the Imperial campus perhaps? On the videotape there is no introduction, just the music session so that doesn’t help me either. More information lost in time and never recorded anywhere.
It appears however that the IC Big Band does still exist today and have their own Website and Facebook page too! Here’s what they say about themselves:
The official big band of Imperial College London, IC Big Band regularly performs top quality jazz in and around the capital. The platinum award-winning band consists of current university students at Imperial College London, and has gained an excellent reputation that grows year on year.
It’s pure coincidence that back in November I selected this particular video for the April blog. I guess it seems appropriate for today’s current pandemic situation and although being April 1st, sadly, it really is no joke.
Health and Welfare were items that featured on STOIC’s News programmes on a regular basis, starting way back in the early 1970’s in fact. In 1980 the college health centre in Princes Gardens had just been updated and improved. Mike Prosser went along to see the latest developments and to chat with Pat Kilshaw about the services and facilities available to students. We also get to see the sickbay with 5 beds. I also seem to recall that I actually shot this video for them.
This is a lovely record of what college facilities looked like 40 years ago.
Could you realistically shoot a video all around London in one day? Well, ten years ago back in 2009 we did just that with three Imperial students. The idea was to show just what opportunities there were for getting out and about from Imperial College, which is based in the South Kensington area of London.
Using three students, who had helped us by appearing in previous videos, the idea was that they would guide you (the viewer) around some famous locations. Starting at South Kensington we would show the advantages of the London Tube, Buses and even taxis. Clearly this would be a video that required a lot of planning and time-scales were set for being in each location by a certain time. We got all of the permissions that were required, including access to tube stations and platforms. We shot more or less in sequence, but cheated slightly here and there.
Amazingly the day we selected was perfect. Sunny and very warm all day long. Everyone mucked in with helping to carry things around the various locations. We didn’t stay in places for long, just long enough to get what we wanted, which was usually one sentence, then check the recordings and then back on the tube again. Look at the Big Ben sequence and you’ll see what time we were there! And we also had a very cooperative taxi driver who allowed us to film inside his cab, not easy with a big camera I can tell you. I must try and find the out-takes from this shoot.
So, some great locations all shot in a day and with genuine 2009 era Imperial College students being our guides.
Today I have what was another mystery film from the STOIC archives. In digitising the 8mm films that were used in their earlier programmes I found two reels of Super8 colour film marked London (to) Brighton. No date or further details were on the reels. It was a mystery as to why this was shot on film because clues lead me to believe it was perhaps around 1978 or so. By then, STOIC had their own Sony portable videorecorder for location work. I looked for clues in the actual footage but couldn’t spot anything that might give me a date. Until…..in one very small segment you will see Bo (Boanerges) has broken down outside of a cinema. This was in Streatham in South London. I could just make out, by zooming into one frame, a film title on the outside hoarding on the cinema. I looked it up on Google and it was dated as 1977. So, this was clearly the London to Brighton run on Sunday 6 November 1977.
Who would have thought that this first appearance on TV at Imperial College would lead to a career on the BBC? Yes, it’s 
In 1981 it was achieved in the same way as the TV programme with the participants sitting as they do in the actual programme. This must have proved a challenge itself because in 1984 it was done in the style of Mastermind, but with a green chair rather than black. The first programme was shot in black and white, as the TV Studio had not by then gone into full colour. The photo on the right was during the 1981 recording. Mike Hackett was the presenter in 1981 and Richard Monkhouse in 1984.